127 Hours of Hollywood Hokum

The exuberant 127 Hours, Director Danny Boyle's first movie since winning the Best Picture Oscar for Slumdog Millionaire, is surprisingly comparable to The Social Network. While ...

Inside Job Documentary Passes

Typical documentaries, such as Waiting for "€œSuperman"€ and Freakonomics, are made by people who know more about lenses and lighting than about their subjects. In contrast, ...

Freakonomics

The new documentary Freakonomics harkens back to the good old days of 2005. Remember when economists, having permanently perfected the economy, graciously allowed their attention ...

Ben Affleck’s The Town is a Perfectly Executed Heist

The Town, set amidst the fading (but increasingly fashionable) Irish-American underclass of Boston's gentrifying Charlestown neighborhood, is a model of crime genre filmmaking, ...

The Great Machete Meta-Joke Fail

After the Euro-ennui of The American last week, Robert Rodriguez's Machete sounded pretty entertaining: heroic illegal immigrants driving bouncing lowrider cars slaughter the evil ...

George Clooney Hits Rock Bottom (We Hope)

Why has The American, in which superstar George Clooney plays an international hitman hiding out from Swedish assassins in Italy, been released in early September, the Idiocracy ...

Eat, Pray, Love: A New Low for Chick Flicks

Four decades into the feminist era, the number one movie at the box office is Sylvester Stallone's The Expendables, in which Eighties action heroes blow stuff up. Right behind is ...

Will Ferrell’s The Other Guys: Surprisingly Funny

Despite both a forgettable title and the fifteen years in which Will Ferrell and writer-director Adam McKay have been beating their brand of comedy into the ground since they ...

Get Low: Stellar Cast, Shoddy Screenplay

Get Low, a dramedy starring venerable elders Robert Duvall, Bill Murray, and Cissy Spacek, is promisingly based on a prime slab of Old, Weird Americana: the true 1938 story of an ...

The Kids Are… Totally Overrated

The limited-release comedy The Kids Are All Right has driven critics into paroxysms of praise. For instance, the normally low-key A.O. Scott enthused in the New York Times as ...

With Toy Story 3, Pixar Wins Disney Divorce Battle

In 1965, Gordon Moore of Intel noted that silicon chips had been quickly doubling in transistor density, and forecasted that computers would continue to get twice as powerful ...

10 Things I”€™ve Learned About Writing For TV

The first thing you need to know about pitching TV shows is, you are not going to get a show. Television is 1,000 burn victims trying to seduce a supermodel; what was considered ...

Jeunet’s Micmacs: Amélie 2.0, Minus Audrey

Micmacs is an extravagantly ambitious blend of Charlie Chaplin's silent City Lights and Modern Times, Jacques Tati's clever but impersonal visual comedies, and Steven Soderbergh's ...

Shrek: Not So Popular with the Public, But a Hit with the Critics

Hollywood's clean little secret is that many people in the industry are not, at least by natural inclination, the utter shlockmeisters that their output would suggest. They are ...

Polanski’s Ghost Writer, and Americanising Britain

American culture has become so globally dominant that even the lamest U.S. customs, such as our soporific presidential debates, infect countries blessed with superior traditions. ...

Tom Ford: Too Stylish for Film?

Can a blackboard be beautiful? A liquor store car park? What about a sleeping bag? In Tom Ford’s hands the answer is always, “yes, darling”. When Colin ...


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