It’s 2012 in New York City and grown men are still writing their nicknames on everything. They come up with names such as Revok and Daim and vandalize other people’s property in a search for fame. They use etching cream to burn their name into a new restaurant’s glass windows or they’ll spend all night putting a huge mural on the side of a historic building. They tend to despise advertising and marketing and everything corporate.
Ironically, the hobby they’ve taken up is everything bad about marketing without any of the good stuff. They stick their brand all over the city and make sure it’s in everybody’s face, but they’re not even selling anything. At least Kraft is offering some cheese. All these guys are providing is “Me.” That’s it.
But what I find inspiring about this esoteric form of vandalism is that even graffiti artists, when they work hard and persevere, can become a success in this country. That’s how affluent we are.
KAWS is a “street artist” from Jersey who started out vandalizing ads by drawing a Mickey Mouse skull on them. People would pay money to get their ad on a billboard, and KAWS would destroy it. However, because he kept at it and worked tirelessly committing his crimes, advertisers soon paid to be destroyed by him. He’s done campaigns for Hennessy, designed shoes for Nike, and his sculptures sell for hundreds of thousands of dollars.
David Choe is a friend of mine but he’s also a vandal and former street criminal. In the late 90s and early 2000s, he did so much graffiti in LA, he was known to virtually everybody under 30. When Mark Zuckerburg started Facebook, he had someone track down Choe to offer him cash for doing murals all over their office. David asked for equity instead and Zuckerburg gave him a paltry 1%, which is reportedly worth at least $100 million today.
There are a lot of theories on how modern graffiti became what it is today. I’ve been surrounded by these guys my whole life and this is my take: It started with inner-city kids in Philly living with a single mom in a house full of sisters and learning their values from these women. Single-parent immigrant families were all over the Northeast in the late 60s/early 70s and in Brooklyn, many of them were Puerto Rican. Most outsiders are shocked to walk through these neighborhoods today and see Puerto Rican men getting manicures and pedicures, but these men grew up in a dad-free culture. They primp and preen like women and spend hours and hours getting their hair done every week. These kids saw their sisters fawning over celebrities and decided fame was the most important thing in life. Without a father to say, “No it isn’t,” they invented nicknames for themselves and began writing them all over the city.
“Oooh, I’m CORNBREAD—look at me on the side of that bridge.”
“Hey, I’m COOL EARL—did you see my name on the subway? I got fame!”
A Greek kid named Taki from 183rd St. spray-painted TAKI 183 around the city so many times, he ended up on the front page of The New York Times and a movie was made about his story.
As with all things cool, what starts in the inner cities is quickly adopted by middle-class white kids with dads, higher IQs, and a business plan. By the early 80s, they had turned nickname-writing into an accepted art form that led to gallery shows, marketing campaigns, and deluxe apartments in the sky. And that’s where we are today.
In Singapore, graffiti gets you caned. In Australia you’re looking at two years in jail. In America, you get a career. I am proud to be in a country that can convert such a bizarre hobby into a bright future. What’s the biggest problem with our poor? They eat too much. Is anyone short of a TV or a fridge or a cell phone? Not really. Each president mires us deeper in debt than the one before, but we still manage to maintain an economy where all you have to do to survive is work. You don’t even need a job.
How’s this for a business plan? Take a terrible picture of a semi-retarded wrestler from France and scrawl the words ANDRE THE GIANT HAS A POSSE on it. Now have about a million stickers of that made and spend hundreds of nights putting them all over other people’s property. Now ramp it up with some giant posters of the same wrestler and wheat-paste it to everything from water towers to famous landmarks. It’s illegal and serves no purpose, but this retarded plan led to a successful marketing company called OBEY that has made its founder rich.
Back in the 80s, a homeless junkie named Basquiat would wake up from his cardboard box in Washington Square Park and spend the entire night defacing New York City with his crude cartoons. I kind of like the way he draws but technically, he can’t. If you showed one of his drawings to a kindergarten art teacher, she’d assume he was five. However, because this used elbow grease and did it every night, he started developing a brand and before you knew it, he was Andy Warhol’s right-hand man.
Lots of these kids die. They want to get their nickname in a dangerous spot on the Brooklyn Bridge and they fall or they walk down the dark tunnel between subway stops and get sucked up by a moving train. The dead ones are called “angels” but many who stay alive and keep at this ridiculous custom are in seventh heaven. Futura 2000 started spray-painting his nickname all over subway cars in the early 70s and today he is not only a successful gallery artist but also a well-paid clothing designer. It happened to Keith Haring and Dash Snow and Neck Face. All are well-respected gallery artists. All from crime. How spoiled are we that we complain about a country where ruining people’s property with your nickname can lead to a full-time job?
Where did America get this reputation for being such an impossible place to succeed? We’re told systemic racism keeps inner-city kids in a horrible cycle of failure, but the kids they’re talking about intern for me and I see a very different picture. What I see is virtually every non-lazy kid from the slums of Queens and Staten Island getting scholarships to city colleges.
Despite having a buffoon in the White House who strangles economic freedom at every opportunity, we are still living in a place where even crime pays. Obama even depended on Choe and the OBEY guy to help him get elected. Is this really a country where, as TIME magazine pondered, we can no longer move up? Not yet it isn’t.
Photo courtesy of Shutterstock
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